Last year, UDAAN made a sweeping impact on cineastes, so much so that the honors, compliments and accolades keep pouring in to this day. Besides winning tremendous critical acclaim and bagging awards, the film struck a chord with everyone watching it. The poignant and disturbing relationship between a father and son seemed straight out of life. Now YEH FAASLEY explores the relationship between a father and daughter.
However, comparing UDAAN and YEH FAASLEY would be blasphemous, mainly because UDAAN captured the tense moments between the father and son with aplomb, on paper as well as on celluloid. On the other hand, YEH FAASLEY has an interesting premise, but its writers [Yogesh Mittal, Atul Tiwari and Rajendra P. Makhijani] make a complete mess of it and what eventually unfolds on celluloid is mincemeat of a brilliant thought.
Ideally, one would've expected YEH FAASLEY to be an emotional journey, wherein the daughter discovers a shocking truth: Her mother was murdered by her father. Again, the daughter's fight for justice would've only added a new dimension to the film. But the writing goes horribly wrong after an interesting start and what comes across on screen is clichéd, formulaic and ridiculous. Besides, the film gets lengthy and tedious, more so in its second hour.
Arunima [Tena Desae], the daughter of one of the biggest builders in town, has returned home after completing her studies. She is happy that she will now be living with her father Devinder Dua [Anupam Kher] for good. Arunima lost her mother to a car accident when she was barely two. Arunima just wishes that her mother was alive, but she is somewhere content that her mother and father had a happy love story as long as it lasted.
To her surprise Arunima finds a will written by her mother. Why would a woman, who died in a car accident and that too at an early age of 28, leave a will for Arunima? The presence and the essence of the will raise a few questions in Arunima's mind. But the father is not very comfortable answering questions related to the past.
Arunima further chances upon a few things from the past and it is a revelation for her that her mother's personality was very different to what her father had recounted. She further meets an old friend of her mother, Diggy [Pawan Malhotra], and a few people from the past who tell stories that point in the direction that her mother was not as happy as long as she lasted.