Lafangey Parindey 2010 Music Review

Movie: Lafangey Parindey 2010
Lafangey Parindey 2010 Movie Trailer
Once upon a time in Bollywood, there was a film called Kaminey. And now is the time for some Lafangey Parindey. Really, there is some good tolerance which is coming in, a result of which titles like these are now sounding rather cool instead of being considered as cuss. Of course the banner Yash Raj Films counts due to which there is a definite acceptance comes in. Add to that fact that the film features Neil Nitin Mukesh and Deepika Padukone and you know that there is something out and out commercial waiting to happen. Same are the expectations from the music as well where director Pradeep Sarkar moves away from his regular composer Shantanu Moitra to join hands with R. Anandh, the man who was a part of the band 'Agosh' that had given the music for Sunny Deol and Sushmita Sen starrer Zor. Lyricist Swanand Kirkire is pretty much retained though by the team here.

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It is a clear Tarantino influence in the way title song 'Lafangey Parindey' begins. As the song moves ahead, one realises that this influence continues for a good duration of the song. Well, till the 100th second before the song takes an Indian route. However, except for the brief chorus period where 'Lafangey Parindey' gets into 'masti' and 'dhamaal' mood, the song stays on to be Western in its treatment with a soft rock mood prevalent throughout. A song about high attitude, this Ronit Sarkar sung number has an edgy feel to it though made strictly for the situation in the film. Given an extra push, it could have been yet another 'Dum' [Dum] or 'O Mera Khuda' [Prince].

Lafangey Parindey 2010 Movie MP3 Songs
It's the sound of guitar with a country feel to it that kick starts yet another song that has 'Lafanga' in it's lyrics. Titled 'Man Lafanga', this one brings in a new high in the album, something which is expected from Mohit Chauhan in each of his outings. Really, just the way Rahat Fateh Ali Khan brings in a different dimension to a song, same is the case with Mohit Chauhan as well who more often than not has something exciting to offer every time. No wonder, 'Man Lafanga' (pretty much carrying the same theme feel as in case of title song of Kaminey), makes a quick impression as well. Hear it on a repeat mode and it's easy on ears appeal would ensure that you won't be bored. A 'club mix' version - the only remix in the album - arrives later in the album as well but one would prefer the original any time.

The song which is all set to be chartbuster though is 'Dhatad Tatad'. If you have liked 'masala' songs from the 80s, you would be able to grab this one pretty quickly. On the same lines as the lesser heard track 'Aanan Faanan' (from Govinda's 'Hathkadi'), 'Dhatad Tatad' is a full-on-pace track that doesn't have a single dull moment. Lesser exposed singers like Shail Hada and Anushka Manchanda come together to get the mood right for this rooted number which is purely for the masses. If picturised well (which it promises to be), 'Dhatad Tatad' should be picked up by those who have loved Govinda songs from the past.

This time around, it is the word 'Parindey' which is extracted from the film's title and woven into a new song - 'Nain Parindey'. Shilpa Rao is known for her unconventional yet so-very-impressive voice and that is used to it's fullest in 'Nain Parindey' which offers some truly different lyrics. Ironically, the song is written for a girl (Deepika Padukone) who is blind and hence the very theme of 'Nain Parindey' holds even more significance. Expect the song to make an impact in the narrative of the film.

The name Suraj Jagan pretty much ensures that the outing to follow would be high on beats and tempo, what with his rock star image preceding him since the days of Rock On. Just like the title song 'Lafangey Parindey', this one too is basically a song about attitude and is pretty much about the gang of boys out there to rule the world. With a rock feel to the music here, 'Rang Daalein' sticks to the theme and aims for the target audience as youth.